While many are screaming “sell outs!” at this album, you have to admit the progression certainly has been slow and deliberate. It’s impossible to know if CoB are really trying to cash in, or if this is what their creative process honestly results in. But what we’re left with is the most unsatisfying CoB release yet. The production is almost impossible to distinguish from Trashed,… or AYDY?. There are even less leads carrying the melodies. “Hellhounds on my Trail” has a melody that contains a particularly unpleasant batch of notes which sound out of key and make the song nearly unlistenable to my ears. “Tie my Rope” was previously released in a compilation, but it’s the album’s strongest. It has some interesting leads and song structuring. “Done with Everything, Die for Nothing” has a great chorus with octave chords and a tense synth background.. The rest of the songs,however, are interchangeable. Screechy screams, sometimes hoarse singing, juvenile lyrics, and tons of filler riffs. The drumming is competent, but unimpressive. Alexi’s once fluid, lyrical, and overall memorable guitar solos have become inconsistent, predictable and boring.
Live Bodom is just about the only Bodom worth paying for at this point. Blooddrunk isn’t even really good compared to the other “sell-out” CoB releases. Use your money to support a band that needs it, as Children of Bodom will glean plenty of money from young poseurs without a clue.
Comments
Post a Comment