Skip to main content

Antim Grahan


With almost an apocalyptical name, Black Metallers Antim Grahan has returned once again to scorch the underground scene of Nepal. Formed in the early 2004, Black Metallers Antim Grahan rise from Kathmandu. The band took a hiatus for about 2 and half years when the front man of the band went abroad for his further studies, but as now he has returned, they are back in business with a few line up changes. Fronted by the vocalist Parash, Antim Grahan is Pankaj on guitars, Sunny on bass, Niraj on keys and Sabin on drums. The band has undergone a few line up changes as few of their members left the band due to their personal reasons. The band took out an EP titled 'Forever Winter' which was a joint production of KTMROCKS RECORDS, Mingmar Dolma Lama and Antim Grahan.

Antim Grahan is the first band to have a record deal in the history of Nepali metal scene. They got the label of KTMROCKS RECORDS which happened to be the first record company in Nepal for the local underground metal scene. The EP, 'Forever Winter' got an overwhelming response from the metal fans which created an immense popularity of the band in the underground metal community around the country. Songs like 'Infected' and the title song itself 'Forever Winter' was a massive success.

The band says that their music is representation of pain, suffering and sinister realms of dark fantasy worlds. About their music, the band says "We really don't want to give away any messages to our listeners whatsoever coz the whole music is represented in a very story like way, more of like fairy tales with a very dark and painful ambience and bitter endings. So all we want is that the people enjoy our music and have totally fuckin' awesome time while listening."After a very good response from the fans from underground community for their debut EP, "Forever Winter", they came out with their second album titled "Tales From The Darkened Woods". This album by the band had come in a very short time off its release of their first EP, but their 2nd album was much improved technically and musically. 'Tales From The Darkened Woods' is much more bigger, better and heavier then their first effort.

Carrying on to the melodic level that the band has been going on, they experimented with traditional 'Flute' on their 2nd album. This is the first time in Nepal that any underground metal band has introduced these kinds of experiments. The new album contains a very well received cover version of 'Hallowed Be Thy Name' originally by Iron Maiden. Again, this album was out on KTMROCKS RECORDS.Which started as a melodic black metal approach, now the band is craving towards a bit more brutal genre of the music that they play after their reunion after a long pause.

With already one EP and a full length debut album to their name, having not only Nepal but worldwide appreciation of both their effort in the countries such as Estonia, Slovakia, UK, USA, India, Australia etc, they are coming out very soon with their third outing which promises to be a one to be awaited for. After a long hiatus and with a few line up changes, Antim Grahan looks better then ever. And by the looks of things the supremacy of black metal has certainly begun.Parash – vocalsPankaj – guitarsNiraj – keysSabin – drumsSunny – bass

Comments

Post a Comment

Popular posts from this blog

Henrik Klingenberg: Sonata Arctica Keyboardist

Henrik "Henkka" Klingenberg (born October 21, 1978 in Mariehamn Ã…land, Finland) is a keyboardist and singer. He joined Sonata Arctica in late 2002 and currently resides in Kokko L.A, Finland, when not on tour. Keyboardists who have influenced him include Matt Guillory, Kevin Moore, and Jon Lord. He claims that his musical inspiration is pulled from life itself. Career: Henrik plays both a keytar and a normal portable synthesizer in the bands Sonata Arctica and Silent Voices as well as being the vocalist for a Thrash/Groove Metal band called Mental Care Foundation. He has recenlty started a Melodic Death Metal side project called Graveyard Shift with his Sonata Arctica bandmate Jani Liimatainen. Before joining Sonata Arctica, he had participated in a large enough number of bands that he does not bother to list them on his bio page on the official Sonata Arctica website.

TO LIVE IS TO DIE: LAST WORDS OF CLIFF BURTON

When a Man Lies He Murders Some Part of the World These Are the Pale Deaths Which Men Miscall Their Lives All this I Cannot Bear to Witness Any Longer Cannot the Kingdom of Salvation Take Me Home This song is a tribute to Metallica's bassist Cliff Burton, wh o died in a tour bus crash. It is instrumental except the spoken word piece near the end - this was a poem that Cliff wrote before he died The line, "These are the pale deaths which men miscall their lives" comes from the book Lord Foul's Bane, Book One of the series "The Chronicles of Thomas Covenant the Unbeliever" by Stephen R. Donaldson. In the book, the main character decides to write a poem to amuse himself. The full poem is as follows: These are the pale deaths which men miscall their lives: for all the scents of green things growing, each breath is but an exhalation of the grave. Bodies jerk like puppet corpses, and hell walks laughing. Metallica Singer James Hetfield explained to Moj

Lars Mikael Åkerfeldt: The Backbone Of Opeth

Lars Mikael Åkerfeldt is a Swedish musician who achieved fame as the lead vocalist/lead guitarist and songwriter of progressive death metal band Opeth as well as the lead vocalist of death metal band Bloodbath. He is known for his progressive rock-influenced songwriting style and his frequent use of both clean and growled vocals. A native of Stockholm, Mikael Åkerfeldt was the vocalist for Eruption, a death metal band which he formed in 1988. After Eruption came to an end in 1990, he joined Opeth, ostensibly as a bassist. When vocalist David Isberg insisted Åkerfeldt join the band, all other members left. Isberg assumed guitar duties, and when he left Opeth two years later, Åkerfeldt replaced him as the vocalist. Åkerfeldt is a collector of obscure 1970s rock and heavy metal albums. He also tends to show his influence from these obscure bands, making reference to them in titles of Opeth songs, such as "Blackwater Park", "Still Life" and "Master